Week Nine: The Horatian Ode

Horace (65 – 8 BCE)

Quintus Horatius Flaccus–better known to the English-speaking world by the mononym Horace–was a Roman soldier, lyric poet and satirist during the time of Augustus. He was a leading Latin poet of his time and is still celebrated for his odes, satires, and epistles. “Ars Poetica,” or “The Art of Poetry,” (c. 19 BC), his most influential epistle, offers advice on the art of writing poetry and drama.

Horatian Odes

Horace studied Greek ode forms–works by celebrated Greek poets such as Alcaeus, Anacreon, and Pindar–and adapted them for his own purposes, making them suitable for Latin. He not only changed the formal conventions of the Greek odes (stanzaic patterns, meter, rhyme scheme), but also modified the tone and subject matter to best highlight his own unique artistic sensibilities. While Greek odes tended to be heroic–elaborately glorifying a person or event–Horace’s odes were more personal, contemplative, and philosophical. The odes of Horace are also known for their charm, sophistication, and occasional touches of light humor.

Reading Horace

Non-Latin readers are immediately confronted with the challenge of translation. It is widely considered a fool’s errand to attempt to preserve formal conventions such as meter and rhyme when translating poetry, so you’ll need to regard any English translations of Horace’s work as approximating the art and meaning of Horace’s original odes, rather than duplicating their formal conventions.

That being said, there is a great deal to be gained by reading Horace–keeping this limitations in mind–in English and many translations are available online. For the bookshelf, I recommend Oxford World’s Classic’s Horace: The Complete Odes and Epodes featuring translations by David West.

A Horatian Ode in English

Although we can’t look directly to Horace to learn the conventions of his signature odes (without first learning Latin, that is), we can, however, look to Horatian odes written in English by English poets, and there are several good examples. Perhaps the most famous of these is Andrew Marvell’s “An Horatian Ode upon Cromwell’s Return from Ireland”.

The forward youth that would appear 
Must now forsake his Muses dear, 
Nor in the shadows sing 
His numbers languishing. 
’Tis time to leave the books in dust, 
And oil th’ unused armour’s rust, 
Removing from the wall 
The corslet of the hall. 
So restless Cromwell could not cease 
In the inglorious arts of peace, 
But thorough advent’rous war 
Urged his active star. 

Scanning the first eight lines of Marvell’s Horatian ode reveals several key requirements of the form. Firstly, you’ll notice each two lines feature an end rhyme in an aabbccdd… pattern. Secondly, you’ll notice that while lines 1 and 2 are written in iambic tetrameter, lines 3 and 4 are written in iambic trimeter. Thirdly, you’ll notice that–and this is an important feature unique to the Horatian ode–the pattern set in the first four lines is repeated without variation in each subsequent quatrain.

Requirements of the Form

Structure

Any number of stanzas that unvaringly follow the pattern set by the first stanza. Stanzas can be of any length, but Horatian odes usually feature repeating stanzas of two to four lines. Enjambment is allowed.

Content

– Tone tends toward philosophical, contemplative, gently playful, tranquil
– Style is sophisticated and formal, but not restrictive

Meter

Meter is chosen at the discretion of the poet. Again, the important factor is consistency from stanza to stanza. Iambic meter is commonly used in English.

Rhyme

Rhyme schemes vary, but (again) subsequent stanzas must repeat the pattern set by the first stanza. Lines are always end-rhymed.

An Original Horatian Ode

A Horatian Ode to the World Goddess

The Goddess of the World, I sing–
Her many forms and faces bring
The light of fertile life,
The fear of judgement’s knife.

Like Draupadi of Indian fame,
Born of the sacrificial flame–
Where she perceives a wall,
Illusion’s palace falls.

Or Anath, golden Canaanite,
Her retribution fierce and right,
She’ll cut you with a word,
Then feed you to the birds.

Online Resources

Ode – Wikipedia
Odes: Praise Poetry! – Writer’s Digest
An Horatian Ode upon Cromwell’s Return from Ireland – Poetry Foundation
Ode – Poetry Foundation
How to Write an Horatian Ode – Forward Poetry
The Horatian Ode – Poetry Magnum Opus

Week Six: The Décima

**Special Announcement: This week’s post will feature a bonus original poem from poet and singer-songwriter Brandon Barnett!**

Meet the Décima

The Décima poetic form is widely used in poetry and song throughout Spain and Latin America, though the requirements may vary somewhat by region. People who write and perform décimas are often referred to as decimistas or deimeros. The form is also known as the espinela in Spanish, after the creator of the modern version of the décima, writer and musician Vicente Gómez Martínez-Espinel.

Photo caption: Spanish writer and musician Vicente Gómez Martínez-Espinel

Regional Variations

A few regional variations are listed below. Pick your favorite, or try them all!

Puerto Rico: Consists of a 10-line stanza, with 8 syllables per line (octosyllabic) and an abbaaccddc rhyme scheme

Italy: The decima Italiana is a 10-line poem, with 8-syllable lines and an ababcdedec rhyme scheme

Ecuador: Here the décima is a 44-line poem made up of a quatrain and four ten-line stanzas. It’s nearly identical to the glosa poetic form

Poetry and Song

The song form of the décima usually consists of 44 lines and is often improvised. Much like the “freestyle rap battle” of modern hip-hop, Decimeros often challenge one another with dueling songs as a way to show off the composer’s wit and skill.

Requirements of the Form

The requirements listed below are for the Puerto Rican poetic form:

Form

– Single 10-line stanza

Content

-Subject matter varies widely, but common themes include philosophy religion, and politics. Satirical décimas are often humorous.

Syllable Count

– 8 syllables per line

Rhyme Scheme

– abbaaccddc

An Original Décima Poem

After Maria

The cameras flash, Trump fakes a smile;
He holds his breath, swallows a growl,
And throws a roll of paper towels.
Empathy missed by a mile
For Puerto Rico, enchanted isle.
No concern for the common health
of neighbors in the commonwealth;
Once slaving for the hacienda,
Victims of encomienda,
They fight to own a sense of self.

*An Original Décima Poem by Special Guest, Brandon Barnett*

We never knocked on rust-streaked doors
but entered like the bums we were
with hair so ragged–greased like fur–
and alcohol from every pore

The only word we spoke was “more!”
with glassy eyes on shining things
refulgent suds the evening brings
and singing out in harmony

But all that now is far from me
Though oft-recalled with mem’ry strings

Online Resources

Decima – Wikipedia
The Decima –  Puerto Rican Cuatro Project
Decima – Writer’s Digest
Decima Poem Lesson – American Collection
Vicente Espinel – Wikipedia